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EYEWITNESS FROM BETHLEHEM |
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ARTICLES & REFLECTIONS WRITTEN BY TOINE VAN TEEFFELEN |
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BETHLEHEM
DIARY (34) July
9 - July 16, 2001 |
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This weekend we
moved to our new house opposite ‘Azza camp in Bethlehem. Some friends we met
on the street told us: “But that is even closer to the shooting.” That may
be the case but it is also conveniently close to Mary’s mother and sister
and not far from her work at the university. We also live more spaciously, and
Jara has her own room now. The removal itself is comfortably completed with
the help of some hired hands and Mary’s cousin who is a carpenter. “Look
here, how do I look with this Kathusya [rocket]?” asks the helper from
‘Azza camp carrying a rolled tapestry on his shoulder. Unlike the custom
here, Mary wanted the rooms to be painted in bright colors. Jara insists her
room to be pink. In the drive is a statue of the Virgin Mary as you see them
in Belgium or France or Mediterranean countries. The pleasure place is a
balcony directed to the east where we already spent most of the leisure hours.
We eat fresh fruit from Jibrin’s, a vegetable market owned by people from
‘Azza camp who managed to develop a thriving business.
* * * ‘Azza camp
stretches from our street towards Paradise hotel. Some 2,000 refugees, or
descendents from refugees, live there in cramped conditions in multi-story
gray-dark houses built of poor material. Last week I had a chance to visit the
camp’s youth club with the help of a member of the institute’s youth
group, Mohammed, who invited me in his characteristically light-hearted and
somewhat ironical way: “So you are going to live next to the camp. Maybe you
have never been there. I’ll do you a favor and introduce you to your
neighbors.” While walking through the camp I’ll see only very few women
who wear the mandil (veil). The Palestinian camps tend to be
politically secular though more radical than the towns and villages. Along the
walls are posters of martyrs. One poster shows a collaborator in the camp who
a few weeks ago, possibly under pressure by the Palestinian intelligence, shot
and killed his Israeli liaison. When Israel returned the body after several
days, the family of the man and a doctor held a press conference in which they
showed pictures of the severely mutilated corpse. Together with
Shireen I attend a dabkeh (folklore dance) performance of some of the
camp youth, a project made possible by the Japanese peace movement. My
experience with youth from the camps and the villages is that if they get a
chance to join in an activity, they do it with almost total dedication and
discipline. Here, too. Some of the girls can’t keep the seriousness on their
faces and break into a smile while dancing. The dance and song themes are
derived from the refugee experience and deal with suffering, liberation and
return. While watching I am suddenly aware that what I observe the Israelis
would call “incitement.” In a neighboring club building youth are making a
wall drawing that represents the nuclear attack on Hiroshima and Nagasaki. Why
Hiroshima and Nagasaki, I ask myself – as if the refugees need to be
reminded that things can always be worse? The project leader explains that the
Japanese peace movement annually commemorates their day of nuclear destruction
in different places in the world. During this year’s remembrance day the dabkah
troupe will give a performance in the Peace Center of Bethlehem. Later on in
summer, they will show their skills in Morocco and Paris – if they can
leave, of course. There is a computer lab in the youth club, too. The Japanese
effort clearly makes a difference, the youth are encouraged to be active and
to do new things. On the bare walls hang a few posters of refugees that were
especially designed for the occasion of the Pope’s visit last year.
* * * While watching
the posters, I remember the countless images and photos of Palestinian
refugees, their stilled faces betraying weariness, renunciation and
bitterness. Years ago, when I made a study of the portrayal of Palestinians in
popular fiction, I found out that many thriller writers were fond of giving
desperate Palestinian refugees the role of fanatic terrorists. To them was
attributed an “explosive” mixture of traumatic experience, anger and
despair. In many of the narratives, the fact of their homelessness made them
easy prey for political manipulation by evil conspirators. Rather than having
their own story, they were thought to only be able to obstruct somebody
else’s story. Many novels depicted the refugees’ facial features,
especially their “hard” eyes, but did not give them a real voice and
humanity. The refugees were described as both unsettled and unsettling. This image of the
embittered Palestinian refugee is present everywhere, both in literature and
science. The famous American educationalist Jerome Bruner, whose work I
otherwise admire, once wrote that second or third generation Palestinian
refugees experience such a breakdown in culture and such an impoverishment of
narrative resources that the stories they tell presumably have little
variation. Apparently, according to him they can do little else than thinking
about their uprooting and return. The underlying message is: You know in
advance what they are saying, so there is no need to listen to them. No doubt,
this is a distorted construction of reality. An anthropologist like Rosemary
Sayigh who stayed and lived for many years with Palestinian refugees in
Lebanon has shown through her interviews with women how rich and subtle the
narrative resources of people in the camps are. This is also my feeling. While
walking though ‘Azza camp on a summer evening, you see people sitting
outside in front of the doors and the shops talking, narrating, gesturing.
That does not mean that the collective feeling of injustice is not there. The
youth leader I meet tells that the club’s name is mandaleh
(bitterness). Rather than referring to a generalized emotion, the name is that
of a story-teller: Nadji al’Ali’s popular cartoon figure, a little child
who observes and comments upon distressful situations prevalent in the Arab
and Palestinian world such as political repression, corruption and neglect. As
if to emphasize the embarrassment and bitterness caused by what he sees, he is
always depicted with his back towards the viewer. The facial features should
be imagined but not seen. The youth leader
says that the refugees of ‘Azza feel somehow different from the other
Palestinians in Bethlehem. There is not a great deal of contact with the
native population, although, unlike other camps, ‘Azza is completely
surrounded by a town. But the very fact of being adjacent to Bethlehem town
only serves to underline the contrast. The refugees are not at home. Last year, some
of the refugees from the camp joint a journey towards the village from where
many of them come, Beit Jibrin, near Beit Shemesh in Israel. The Israeli
authorities did not allow them to come close. In fact, many Israelis are
haunted by the image of refugees wanting to return. I recently read in Haaretz
that perhaps the major reason why the Israeli public, including a large part
of the peace camp, recently made a nationalistic turn in their political
thinking was the return of the Palestinian demand of the right of return. The
refugees’ dream is the Israelis’ nightmare.
* * * Silently above
the camp hangs a kite, a mini airplane with two Palestinian flags at the rear.
A symbol of national pride or of the suspended possibility of flying away?
With the youth leader I discuss an old project proposal of our institute which
aims, if nothing else, at least at people’s minds flying away. Beit Jibrin,
as said the place where many of the ‘Azza refugees come from, is located on
the historical road between Hebron and Beersheba, or, seen from a regional
perspective, between Jerusalem and Cairo. Once we thought about the
possibility of reconstructing the route Jerusalem-Cairo as an educational
project. Children would learn about what happened on that route over time,
what the monks, traders, military and of course refugees brought to move from
place to place. Students would see pictures of the route, make exchanges with
schools along the route and, if possible, visit places. Beit Jibrin (in Hebrew
Beit Guvrin) is centrally located on that route. It used to be a strategically
located Roman town, with lands stretching from Ein Gedi along the Dead Sea to
Ashkelon along the Mediterranean. Later on it became an important Arab
village. Presently it is a kibbutz. The school where many of the parents
grandparents of our new neighbors used to study is now the kibbutz’
administrative building. The value of the project we think of would be that
students would mentally rise above their present-day fragmented condition to
gain a broader view of history and geography. Right now Palestinians from the
West Bank can neither visit Israel nor the Gaza Strip. The project would rest
upon the assumption that one’s life may be imprisoned but one’s spirit is
always challenged to fly away.
* * * Other new
neighbors are Suha’s parents. Last year Suha joint our exchange program
during which she met a Palestinian in Holland whom she married in Amman this
week. A few weeks ago she wrote
the Institute a letter. During the time of the exchange she stayed in Holland
with a “lovely family,” she writes, whose daughter as well as niece live
in a kibbutz in Israel. Suha invited them to come over from Israel to her
place but the shootings prevented that. “Israel did not know that I was
having visitors.” Now she leaves for Holland, and writes that she will
“never know if I will be able to see my home again. Maybe a rocket will hit
it in its way.” We don’t hope so, neither for her nor for us.
* * * Upon hearing
about another suicide attack in Israel, Mary’s cousin who came over from
Dubai for a few weeks’, advances her departure to be able to cross the
bridge before it would be possibly closed in reprisal. When she tells Jara
about her leaving, Jara answers: “Kamaan?” (you too) as if she is
surprised to hear about all the people who are leaving one after the other.
Her favorite song is Majd al-Roumi’s Tiri, tiri, ya asfoureh, ana bint
zghire hilwe amoura (Fly, fly, bird, I am a sweet cute little girl). I
join her dance and tell an evening story about a flying tiger who is admired
by the rest of the animals. Israel retaliates
to the suicide attack with quick bombings. Jenin is bombed, says Mary, the
bomber came from that place. “Yes, that sounds very logical,” I answer.
Also Tulkarem is bombed, she says. “That is also logical, that town is not
very far from Jenin,” I tell her. Mary resigns. All we need is a bit more
logic.
* * * While I am
writing this, the news comes in that four Bethlehem people have been killed by
an Israeli rocket intentionally directed at the house where they were staying.
They were waiting upon the release of a family member who was five years in an
Israeli prison. Two of the killed were Hamas leaders, apparently. The staff at
the Institute are shocked when they hear the names of the killed. Ala’a, a
new worker at the Institute, mourns especially the loss of one of the four who
was a history teacher at Terra Sancta School in Bethlehem where Ala’a
studied. Three of the four belong to the Sa’ade family who have several
shops down on the Bethlehem-Jerusalem road near our former house. Tomorrow
will be a day of mourning in the town.
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| .Toine van Teeffelen received his Ph.D. in Discourse Analysis at the University of Amsterdam (1992) with a thesis on English-language bestselling stories about the Palestine/Israel conflict. His present work mainly involves community education with a focus on Moslem-Christian living together, learning about/through the local environment, and developing communication skills. He is married with a Palestinian, has a daughter of three and lives in Bethlehem. |
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